For the timetable for the week and more thoughts on these strange times see here.
Here (above) is the booklet of how I shall celebrate the liturgies this week in the Oratory. It is not a complete script, but I have included as much as possible, including music, so that I am not juggling with too many books. It does still require Common Worship: Times and Seasons, a separate booklet of readings (above), a psalter (I shall use the Grail) and the Belmont Abbey English Gradual. Sadly, this is not available online, but the wonderful music of Abbot Alan is very singable, modal and simple. The Eucharistic liturgy is the one I have written about here and here. There is not much seasonal variation to it (no proper Prefaces etc) but the simplicity works, I think.
The Gospel of the Entrance into Jerusalem will begin Palm Sunday’s Eucharist, but without blessing of palms or procession.
For the liturgy on Good Friday I have added the insert prepared by the Vatican for the Solemn Intercessions in this time of pandemic, adapting it slightly to match the language of Times and Seasons, I think it works best in that text between the second and third intercession. In the Roman Rite it is suggested for rather later. The Proclamation of the Cross will be fairly informal with readings and poems from outside of Scripture.
At the Paschal Vigil I have followed the suggestion of Times and Seasons for Pattern B with an extended vigil of readings and psalms ending with the lighting of the Paschal candle. I think this makes much more sense than the usual pattern proclaiming the resurrection with the Easter fire and then settling down for the Vigil. As T&S suggests I shall do this by a fire (either in the garden or the fireplace, depending on the weather), but more like a camp fire for story-telling than the Easter light itself.
The only issue with the Pattern B structure is the proximity of the Exultet and the Gloria. Because I am just going to use the very short metrical Exultet that T&S gives and then a refrain to a simple chant Gloria I don’t think that will matter, but if the Exultet was sung solemnly I think it might seem odd to follow it immediately with the Gloria.
I am using the Women in Salvation readings from T&S but have replaced Psalm 113 after the Isaiah 66 reading with the Canticle in Common Worship Daily Prayer from Julian of Norwich which beautifully picks up the image of motherhood.
This is not a polished service booklet but a script for me to use in these strange times. I will, no doubt be adapting it as the week goes on and will post updates. Unless otherwise indicated the music in the booklet is my own adaptation of plainsong chants.
UPDATE Saturday 15:30 – The introductory chant on Palm Sunday is surprisingly underrepresented in my collection of liturgical music. A simple plainsong setting by Br Reginald SSF seemed to be the best I could do. There is a version in the Hymn-Tune Psalter which I have recently acquired, also the ‘Hosanna’ Jacques Berthier / Taizé chant but this is really a canon and seems very weak sung by a single voice. I then remembered the collection by Paul F Ford, By Flowing Waters, which is an English version of the Graduale Simplex. His setting of one of the palm procession chants to mode 1 works well I think. He sets the psalm verses to the traditional plainsong tone; I will use that with a text pointed in the Sarum Psalter or the Grail version with the Conception mode 1 tone as shown below. Or I may even use it twice, before and after the Palm Gospel, with verses from psalm 118 before and psalm 24 afterwards.